How Brands Should Use Immersive Reality

Firstly, as I have made clear several times before, it is my opinion that VR, AR, and MR are all labels of relevant technology which lie under a bigger technological revolution. This revolution falls under the umbrella of ‘immersive reality’ – the application of immersive technology in any of its forms for entertainment, medical practices, advertising, and almost anything besides. The terms can be broken down into smaller deviations and labels, but it is clear that the technology has transcended its simple boundaries of ‘just’ being VR, or ‘just’ being AR. It’s much more substantial than that, and labelling it as ‘immersive reality’ makes more sense from now.
 
With that out of the way, the first aspect to consider is how distinctly different it is from TV and YouTube. Both mediums can convey the core messages of a brand quite clearly with proper positioning, select scenes, and the proper use of music. The cut is vital – everything seen in a precisely edited video was made precisely to entertain and direct a call to action of some sort, whether it be to donate to a charity or purchase a product.
 
The Nintendo Switch’s reveal is a fantastic example of this, with a clear demographic re-orientation of sorts for its audience. The trailer shows young, somewhat affluent people using the Switch on the go, with friends, and eventually at home after a day of travelling. This is a departure from the Wii and Wii U which focused on friends and family coming together to play games, or directing itself to young children directly – the Switch’s reveal focused primarily on people above the age of 16 who can make their own purchasing decisions, with hints that families can play the device as well. The video’s content and editing was telling – it shows that Nintendo is aware that a large part of its audience have grown up.
 
Because of this, immersive reality provides a new perspective which doesn’t take a small step – it’s a leap into a whole new place in another galaxy. The added complexity of having a layer of interactivity provides a new level of empathy – and empathy is the best way to describe how to best use the technology. It allows the viewer to slip into another person’s skin, get a feel of their situation, and much more intensely than with a simple video.
 
One excellent of this was made by Visualise – the company helped Jane Gauntlett bring to life the idea of empathy VR with In My Shoes: Dancing with Myself. The 360­° video gave the viewer an intimate first-­person perspective of what it’s like to have a neurological condition, with the intention of driving donations and creating a new level of exposure. It is immersive reality with a direct purpose, and its successful application gives me hope it will be used more in the future. There are many more besides, and Mbryonic provides a lovely list of examples if you wished to take a further look. 
 

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Source: Virtual Perceptions

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