When Oculus fans unwrap their new motion controllers sometime later this year, they’ll find a strange little accessory alongside them: a chunk of black plastic with an oddly shaped hole in the middle. This is Oculus’ invitation to try out Rock Band VR, one of the biggest, most potentially crowd-pleasing Oculus Touch launch titles. A game franchise that lets people play out their rock n roll fantasies sounds like such a natural fit for VR that the core game would barely need to change. As a launch trailer last year simply put it, “We wanted to make the Rock Bandexperience on Oculus so realistic that the player actually feels like they are a rock star.” But for all the video’s easy jokes about groupies, headbanging, and smashed guitars, the reality is far more complicated — and more interesting.
As a company, Rock Band developer Harmonix Music Systems has always focused on building for odd new platforms. The company was founded in 1995 by a pair of MIT Media Lab students, Eran Egozy and Alex Rigopulos. Its early projects weren’t games so much as experimental electronic instruments, including projects like The Axe, which let players make music by moving a PC joystick, or an Epcot Center installation that produced a similar effect with infrared sensors. Besides Guitar Hero and Rock Band, with their custom plastic peripherals, Harmonix produced one of the first games for Sony’s EyeToy camera, as well as one of the most successful Xbox Kinect game franchises,Dance Central. In 2015, the studio announced a music visualizer called Harmonix Music VR for Sony’s virtual reality platform.
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“We’ve always been excited about the kind of new creative outlets that new tech affords us,” says Greg LoPiccolo, a Harmonix veteran and Rock Band VR’s creative lead. Last year, Oculus Studios head Jason Rubin approached the studio about making a new Rock Band installation, specifically for the then-unreleased Rift headset. The companies quickly came to an agreement, and LoPiccolo’s team began work on what would become Rock Band VR in August. As LoPiccolo puts it, they figured out two things right away: if done right, Rock Band in virtual reality would be amazing, and they had no idea how to make it work.
The first version of Rock Band VR looked a lot like the original series. After attaching a motion controller to a standard Harmonix guitar peripheral and putting on the Rift, players would see a five-lane “note highway” with beats to hit at specific moments, layered over a concert scene. “It feels great to stand on stage with a screaming crowd in front of you with your band behind you,” says LoPiccolo. But the system turned one of virtual reality’s biggest selling points, a feeling of physical presence, into a distraction. Unless players had memorized a song, they would find themselves spending the whole game staring at the highway, trying to block out everything going on around them.
Behind the scenes, says audio lead Steve Pardo, Harmonix was throwing out idea after idea to fix the problem. They stripped the five-note system down to three notes, vastly simplifying the beats that players had to match. They tried moving the position of the highway, so it ran out of the guitar’s neck instead of across the crowd. The game became easier to play, and more visually distinct from its flatscreen counterpart. But nothing changed the fact that Rock Band VR was a virtual reality experience that effectively penalized exploring its world. Then, the team made a fundamental change: instead of celebrating the dexterity of the perfectly executed solo, their game would reward the steady, low-key improvisation of rhythm guitar. The new system replaced individual notes with periodic chord markers, then encouraged players to try out their own patterns in the gaps.
“It was something I kind of have always wanted to do in a way,” says Pardo. “I remember thinking like — man, it would be cool if I could just play a power chord, and strum it, and it would be a power chord, right?” He built on a freestyle system that was already being put into Rock Band 4, which procedurally generated music based on users’ input, subtly changing the song based on how they played. “It was really kind of indulging in this fantasy I wanted to have for myself.”
When I take a train out to Harmonix’s Boston offices, the latest build of Rock Band VR is set up in a little conference room in one corner of the office, undergoing final tests before its debut at Seattle’s PAX gaming show. Rock Band already requires a lot of hardware, but with the Rift and Touch, Rock Band VR takes it to another level. I step into the center of the room and hesitate, unsure whether I should put the guitar on over the Rift, or vice versa. (The best order, I decide, is controller and then headset, so you can pull off the Rift before removing the guitar at the end of a song.) Everything is unfamiliar enough that I don’t even recognize when things go wrong — it takes me most of the tutorial to realize that the virtual guitar floating several feet away is actually the result of a bug, and supposed to be in my hands.
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Source: The Verge