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It’s a very weird experience. The Overlook’s interior exists in contiguous 3D photographic blobs suspended in black nothingness—giving one the feeling of reaching the edge of some previously-believable video game world and finding out there’s nothing beyond it. And it’s made all the creepier by the near-exclusion of the very few people the hotel does contain—with the exception of a kind of residue of partial bodies—and by a droning, one-note ambient synthesizer score. This isn’t the first time Hentschker has used the film’s spatial uniqueness as computer art. In the short student video above from 2015, she introduces a wonky technical precursor to “Shining 360” that also thematically addresses the movie’s misogyny: “Mapping the Female Gaze in Horror Movies.”
Source: Open Culture